This stark Burgundian monastery was founded by St Bernard in 1119. With its church, cloister, refectory, sleeping quarters, bakery and ironworks, it is an excellent illustration of the ideal of self-sufficiency as practised by the earliest communities of Cistercian monks.
Since 1981 it is a Unesco site.
Thanks to Gaspara for the postcard.
This outstanding mountain landscape, which spans the contemporary national borders of France and Spain, is centred around the peak of Mount Perdu, a calcareous massif that rises to 3,352 m. The site, with a total area of 30,639 ha, includes two of Europe’s largest and deepest canyons on the Spanish side and three major cirque walls on the more abrupt northern slopes with France, classic presentations of these geological landforms. The site is also a pastoral landscape reflecting an agricultural way of life that was once widespread in the upland regions of Europe but now survives only in this part of the Pyrénées. Thus it provides exceptional insights into past European society through its landscape of villages, farms, fields, upland pastures and mountain roads.
Since 1997 it is a Unesco site.
Thanks to Jordi for the postcard.
Located in a limestone plateau of the Ardèche River in southern France, the property contains the earliest-known and best-preserved figurative drawings in the world, dating back as early as the Aurignacian period (30,000–32,000 BP), making it an exceptional testimony of prehistoric art. The cave was closed off by a rock fall approximately 20,000 years BP and remained sealed until its discovery in 1994, which helped to keep it in pristine condition. Over 1,000 images have so far been inventoried on its walls, combining a variety of anthropomorphic and animal motifs. Of exceptional aesthetic quality, they demonstrate a range of techniques including the skilful use of shading, combinations of paint and engraving, anatomical precision, three-dimensionality and movement. They include several dangerous animal species difficult to observe at that time, such as mammoth, bear, cave lion, rhino, bison and auroch, as well as 4,000 inventoried remains of prehistoric fauna and a variety of human footprints.
Since 2014 it is a Unesco site.
Thanks to Gosia for the postcard.
The climates are precisely delimited vineyard parcels on the slopes of the Côte de Nuits and the Côte de Beaune south of the city of Dijon. They differ from one another due to specific natural conditions (geology and exposure) as well as vine types and have been shaped by human cultivation. Over time they came to be recognized by the wine they produce. This cultural landscape consists of two parts. Firstly, the vineyards and associated production units including villages and the town of Beaune, which together represent the commercial dimension of the production system. The second part includes the historic centre of Dijon, which embodies the political regulatory impetus that gave birth to the climatssystem. The site is an outstanding example of grape cultivation and wine production developed since the High Middle Ages.
Since 2015 it is a Unesco site.
Thanks to Catherine for the postcards.
Chosen from the work of Le Corbusier, the 17 sites comprising this transnational serial property are spread over seven countries and are a testimonial to the invention of a new architectural language that made a break with the past. They were built over a period of a half-century, in the course of what Le Corbusier described as “patient research”. The Complexe du Capitole in Chandigarh (India), the National Museum of Western Art, Tokyo (Japan), the House of Dr Curutchet in La Plata (Argentina) and the Unité d’habitation in Marseille (France) reflect the solutions that the Modern Movement sought to apply during the 20th century to the challenges of inventing new architectural techniques to respond to the needs of society. These masterpieces of creative genius also attest to the internationalization of architectural practice across the planet.
Since 2016 it is a Unesco site.
Thank to my mom for the postcard.
Thanks to Oscar for the postcard.
Thanks to Prashant for the postcard.
Thanks to Sita for the postcard.
Thanks to Svenja for the postcard.
Thanks to Bei for the postcard.
On the banks of the Tarn river in south-west France, the old city of Albi reflects the culmination of a medieval architectural and urban ensemble. Today the Old Bridge (Pont-Vieux), the Saint-Salvi quarter and its church are testimony to its initial development (10th -11th centuries). Following the Albigensian Crusade against the Cathar heretics (13th century) it became a powerful episcopal city. Built in a unique southern French Gothic style from local brick in characteristic red and orange colours, the lofty fortified Cathedral (late 13th century) dominates the city, demonstrating the power regained by the Roman Catholic clergy. Alongside the Cathedral is the vast bishop’s Palais de la Berbie, overlooking the river and surrounded by residential quarters that date back to the Middle Ages. The Episcopal City of Albi forms a coherent and homogeneous ensemble of monuments and quarters that has remained largely unchanged over the centuries.
Since 2010 it is a Unesco site.
Thanks to my mom for the postcard.
Remarkable as a landscape shaped over three centuries of coal extraction from the 1700s to the 1900s, the site consists of 109 separate components over 120,000 ha. It features mining pits (the oldest of which dates from 1850) and lift infrastructure, slag heaps (some of which cover 90 ha and exceed 140 m in height), coal transport infrastructure, railway stations, workers’ estates and mining villages including social habitat, schools, religious buildings, health and community facilities, company premises, owners and managers’ houses, town halls and more. The site bears testimony to the quest to create model workers’ cities from the mid 19th century to the 1960s and further illustrates a significant period in the history of industrial Europe. It documents the living conditions of workers and the solidarity to which it gave rise.
Since 2012 it is a Unesco site.
Thanks to Christine for the postcard.